Best Acoustic Guitar Under $1000 – Reviews 2017 [ Tested ]

Are you looking to buy an acoustic-electric guitar?

Are you wondering which guitar would best suit your playing style? Are you finding the specification on the models a tad jargony? Relax.

We are here to help you. We can assist you in finding the perfect guitar that not only compliments your playing ability and technique, but also fits your budget comfortably.

Our team had recently done an in-depth research on best acoustic guitars under $1000 currently available in the market.

We would like to share the information we have at our disposal with you. In the following article, we will explain the meanings of the specifications of each model.

Best Acoustic Guitar Under $1000 – Reviews 2017

We will tell you what role they play and why they are either important or irrelevant. We will also highlight the USPs of each model and summarize the pros and cons. Here is our list of the top ten guitars in this range.

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​#1. Seagull Artist Mosaic Acoustic Guitar

​The Artist collection is one of the finest line-ups by Seagull Guitars and the Artist Mosaic is a front-runner of the collection.

It is a hand crafted guitar made in Canada. The top is made of solid cedar that has been pressure-tested and the back and sides are mahogany. Cedar typically generates a warmer sound than spruce, the most widely used wood for making guitars.

Mahogany adds a solid mid-range flavor that helps to mellow down the crisp tone of cedar. Also, because Mahogany has a slower response rate, it absorbs and reduces some of the overtones to give the sound a warmer feel.

This combination of cedar and mahogany compliments each other to produce a warm, balanced and well-rounded sound. The fingerboard and bridge are made of rosewood.

Rosewood is lightweight, dense and hard. This helps in directing or transferring the energy from string vibrations into the soundboard. Since rosewood is very hard, there is negligible amount of energy loss during this transfer.

The Mosaic has a large body with a semi-gloss coating and a dreadnought shape. The neck is made of mahogany and is the defining feature of this guitar. It is an Integrated Set Neck which makes for a more stable tuning and playing experience while reducing twisting and warping. Plus the dual-function truss rods make sure the alignment of the neck is perfect.

The nut and saddle of the Mosaic are made of Compensated Tusq. It is an artificially engineered material that imitates bone but is more consistent. Tusq has also been used to make the bridge pins.

The Mosaic has a tapered headstock that provides a straighter pull, excellent tuning and lowers the player’s stress while using altered tunings. ​The Mosaic has Scalloped Adirondack Spruce bracing. The neck has a width of 1 3/4th inches at the nut.

This is slightly wider than other guitars and allows for a more comfortable finger picking. The guitar has beautiful purfling and rosette designs, Seagull-shaped inlays on the fretboard and offset dots. The guitar also has an optional soundhole-mounted LR Baggs element preamp with tone and volume control knobs.

The Mosaic is a great acoustic guitar for performing artists. It has a full bodied sound due to the combination of cedar, mahogany and rosewood. It is a good guitar for strumming and plucking.

For a mid-range guitar under $1000, the Mosaic performs brilliantly from the perspective of tone and sound texture. The dimensions of this guitar is 45” x 8.5” x 19”. It weighs 8 pounds. Orientation is right handed. The Mosaic comes with a Delux TRIC case.

Pros

  • Made of 3 woods: Cedar, mahogany and rosewood.
  • Excellent fretwork and intonation.
  • Large dreadnought body adds more volume.
  • Neck shape supports great string pacing for chords and lead work.
  • Consistent and rich sound.

Cons

  • Not very good-looking.
  • Some customers have complained that the braces are not well shaped and complete.

#2. Epiphone DR-500MCE Guitar

​The Epiphone DR-500MCE is one of the best models in the Masterbilt series by Epiphone. It is a popular vintage-style acoustic cum electric guitar and is frequently used in gigs and jam sessions.

It is a great choice for an all-wood acoustic-vintage guitar under the $1000 price range. It has a solid sitka spruce top. The body including the sides is made of solid mahogany wood. It has mahogany kerfing and hand scalloped Sitka spruce braces.

This assists in transmitting the guitar’s rich tonality. It has a single-cutaway body with a dreadnought shape. Epiphone DR-500MCE has a beautiful caramel finish that gives it a nice vintage look. The back and sides have rich and understated gold stripes.

The neck is made of mahogany and has a slim taper D profile. It is glued with traditional hide glue and a classic handcrafted dovetail joint to facilitate higher tone transfer. The hide glue gives the guitar a vintage look. The fretboard and bridge are made of polished rosewood.

The spilt diamonds and pearl inlays on the fretboard are very classy and lend the guitar an elegant look. The fretboard has a 25 ½ inches scale. People who love a vintage feel and tone, are sure to appreciate the unique modern-vintage design of the Epiphone DR-500MCE.

The guitar has a funky vintage-style offset asymmetrical headstock. On the ebony faceplate, there is a smart stickpin inlay. The nickel turners are Grover Sta-Tites (18:1 ratio and historic tuning keys) and the nut and saddle are made from bone. The nut width is 1.68 inches. The guitar also has nickel hardware and imitation tortoise pickguard.

The mahogany neck is hand-shaped and has 20 medium frets. The neck is attached to the body at the 14th fret. The Epiphone DR-500MCE has a 6-ply body, singly ply neck and 3-ply headstock. The Epiphone DR-500MCE boasts the advanced eSonic2 preamp system and includes an intuitive built-in tuner.

It is the result of a collaborative effort with Shadow Germany. When the guitar is kept in tuner mode, the sound gets muted so players can do silent onstage tuning. Players can use the tuner button to noiselessly connect and disconnect the guitar cable.

There is also a phase switch to counter feedback. The preamp runs on 2 ultralight long-lasting 2032 lithium watch batteries. The preamp comes geared with a full range of controls to adjust your sound’s tune. There is a Master Volume, Stereo Blend, NanoFlex Tone, NanoMag Tone and battery-low signal.

Under the bone saddle is the low impendence NanoFlex pickup that picks up string vibrations and body and top vibrations to give you a genuine acoustic sound minus the coarseness of piezos. The NanoMag compliments the NanoFlex pickup.

The NanoMag is mounted on the end of the fingerboard and consists of 3 Samarian Colbalt magnets and a sophisticated circuit to capture all high and low tones and the whole range of harmonics. The Epiphone DR-500MCE gives the player great flexibility.

It lets them choose between a ¼ inch mono output blending both pickups or a ¼ stereo output splitting the two pickups. Players can select whichever option best suits their playing needs. The tonal range of the Epiphone DR-500MCE is very well-balanced. The treble is transparent and crisp, the mids are clear and well defined, and the bass is rich and resonant.

The solid mahogany back coupled with the Sitka spruce top projects a fuller, mellower and rounder tone. The preamp helps to naturally amplify the acoustic sound and the two pickups let you find the best live tone, irrespective of where you are performing and the amplification system used.

The Epiphone DR-500MCE has a satin neck and a smart glossy finish. The guitar weighs 2.2 pounds. Its dimensions are 39.4” x 17.7” x 8.7”. Orientation is right handed.

Pros

  • Comes with the advanced eSonic2 preamp system.
  • Classy vintage style acoustic cum electric guitar.
  • Mahogany and Sitka spruce produce a warm mellow sound.
  • Phase key fights feedback.
  • Elegant looking.

Cons

  • Lacks individual bass, mid and treble controls.
  • Some customers have complained that the preamp is small and is not suited for quick on stage changes.
  • Volume knob may give off a static sound.
  • The tuning peg holes are slightly large.
  • Pick-guard has been found to be slightly flimsy.
  • Does not include a guitar case.

#3. Seagull Maritime SWS SG Guitar

​Seagull comes from the house of Godin, the world famous guitar manufacturer. It was first crafted in Quebec, Canada in the year 1982 by Robert Godin and his friends. Their goal was to introduce an affordable guitar that had all the best characteristics of hand-crafted guitars and incredible precision of neck angle.

Seagull guitars are famous for their excellent body and neck alignment. The Seagull Maritime SWS SG has a complete solid wood construction and a smooth satin luster. The top is made with Select Pressure Tested solid spruce wood with a compound curve, and the back and sides are solid mahogany.

The guitar has a semi-gloss Custom Polished Finish which protects the instrument and is also thin, light and elastic. This is very important from the sound and aging perspective of a guitar. A thick finish muffles the vibrations made by the guitar and interferes with the process of ageing.

The combination of mahogany and spruce produces a mellow and warm sound with a round mid-range. Seagull Maritime SWS SG has chrome hardware and an Integrated Set mahogany neck. The neck wood is Honduran mahogany and has a Soft C shape. The Integrated Set mahogany neck works together with the compound curves of the top to reduce downward pressure from the fingerboard.

It has dual action truss rods and binding around the top. The bridge and fretboard are made of Indian Rosewood. There are 21 frets and the nut width is 1.8 inches. The scale length is 24.8 inches. It has an Adirondack or Red Spruce bracing. Red Spruce is more dynamic than Sitka Spruce.

The angle of the neck has a big influence on the sound and tone. The Seagull Maritime SWS SG comes with a new compound curve on the top which provides extra stability so as to maintain optimum neck pitch. The guitar has a Tusq compensated saddle and nut for better intonation.

The headstock is tapered and has a bunch of quality tuning chrome controls. The tapered shape allows for stable and precise tuning, and also supports open tunings. The Seagull Maritime SWS SG concentrates on the treble region. This is great for players who also sing along as they play.

The rich treble beautifully cups their voice. The neck is slightly wider than other guitars which benefits players with fat fingers. The binding and purfling of the Seagull Maritime SWS SG are very well executed. The herringbone back stripe and rosette are also impressively neat.

Intonation is well balanced and so is tuning retention. The bridge provides good sustain. The sound of the Seagull Maritime SWS SG is comparable with some high-end guitars. The highs are distinct and crisp and the lows fill up the sound giving a more balanced and fuller sound. The guitar indeed has great projection and volume.

Overall this is a good guitar for performing in front of large audiences. It can be used by travelling musicians for playing in gigs and also by recreational players. It has an airy resonance and a light build.

It has a solid midrange which is a big plus for players who like fingerpicking. It is certainly one of the most reasonably priced acoustic guitars currently available in the market. At under $1000, it is quite a steal. The guitar weighs 9.2 pounds and its dimensions are 9” x 49” x 20”. Orientation is right handed.

Pros

  • Great sound and resonant tones.
  • Powerful mid-range.
  • Impressive intonation throughout the length of the fretboard.
  • Affordable
  • Can be used in gigs.

Cons

  • Some customers have complained that the sound felt somewhat muted and did not project well.
  • Neck does not have bolt.
  • Neck is slightly wider which may not suit everyone.
  • Lacks a shorter scale length.
  • Lacks built-in tuner.

#4. Blueridge BR-160 Guitar

​Blueridge is known for introducing some of the finest traditional vintage guitars we have seen in recent times. It is owned by Saga Musical Instrument Company which is based out of San Francisco.

The Blueridge BR-160 is a classic pre-war inspired vintage acoustic dreadnaught guitar. It belongs to the Blueridge Historic collection that combines vintage design and looks with modern construction methods.

Although most vintage guitars are expensive, the Blueridge BR-160 is fairly affordably priced. It closely resembles its antique ancestors both in style, feel and technique. It is made from the best Canadian tonewoods for superior sound and playing experience.

The Blueridge BR-160 has a solid Sitka Spruce top and an East Indian Rosewood back and sides. Sitka spruce is one of the most popular tonewoods used for making guitar tops as it imparts a very aged and full sound. Also Sitka spruce is a very versatile topwood as it responds brilliantly to almost all kinds of playing such as flatpicking, strumming and fingerstyle.

It is lightweight and sturdy and has the most favorable strength to weight ratio. The rosewood back and sides of the Blueridge BR-160 compliment the spruce top by adding a solid bass to it. There is a middle strip of delicate wood marquetry. Also, the back and sides are not laminated. This means as the guitar ages, the tones and overtones become more well-balanced. Plus, East Indian rosewood has the widest known EQ range among all tonewoods used in making acoustic guitars.

The Blueridge BR-160 has a traditional dreadnaught shaped body that accentuates the bass for a bell-like mid and top range. It also has great volume and projection. The Blueridge BR-160 has hand-carved parabolic top braces that keep the pre-WWII forward-X pattern intact for enhanced tone and volume. It has intricate Abalone inlays. It has a slim mahogany neck with a traditional dovetail neck joint.

The slender neck is specially designed for easy action and fast playing. Plus the mahogany wood gives it more clarity and power, making it ideal for both lead and rhythm. The fretboard and peghead are both made of rosewood and have beautiful mother-of-pearls inlays. The peghead also has Abalone inlays and the Blueridge logo.

There is a vintage-style rosewood bridge complete with bone compensated saddle and bone nuts. The nut width is 1 11/16 inches and makes for easy and comfortable fingering. The truss rods are flexible and adjustable and help to maintain a good alignment. The guitar has vintage-style nickel-plated open-back tuners. Buttons are butterbean style.

The fingerboard is made of rosewood and has split diamond Abalone snowflake markers. The Blueridge BR-160 also has traditional herringbone rosette and purfling. There is white binding on the top and back strip of the guitar.

The Blueridge BR-160 has a rich glossy finish. This allows the mid and treble notes to have a crisper, more prominent edge. The bass and projection are also enhanced, making fingerpicking, flatpicking and strumming more distinct. It has a Dalmatian style pickguard by Saga.

Length of scale is 25.6 inches. Orientation is right handed. Overall the Blueridge BR-160 is a great acoustic guitar for gigs and jamming. It can be used by professional musicians as well as beginners who are serious about their music.

It is easy to work with and has a nice vintage touch and feel to it. Intonation and tuning are retained and the sound is full, warm and resonant with strong bass support.

Pros

  • Suave antique pre-war looks.
  • Excellent combination of Sitka spruce, Indian rosewood and mahogany.
  • Good mature sound and full bass.
  • Supports flatpicking, strumming and fingerstyle playing.

Cons

  • A guitar with a high gloss finish tends to lose its sound’s crispness as the instrument ages and loses its gloss. This may be a drawback of the Blueridge BR-160.
  • Some customers have complained about a faint sound emanating from the saddle/bridge area.
  • Does not come with a case.
  • Some customers have reported that the neck is not well adjusted.

#5. Washburn R320SWRK Acoustic Guitar

​The Washburn R320 SWRK is a great vintage parlor guitar with distressed hardware. It belongs to the Vintage Collection of parlor guitars by Washburn. The design and make resemble some of the finest vintage parlor guitars of the late 19th and early 20th centuries.

It is made with modern construction technique that eliminates the anomalies that are endemic to century-old guitars. The Washburn R320 SWRK is more durable, dependable and offers a smoother playing experience.

The Washburn R320 SWRK has a durable solid spruce top and solid rosewood back and sides. The bracings are Quarter Swan Scalloped Sitka spruce. This tonewood and bracing is a rare combination as it is found only in expensive vintage models. The spruce top has an antique walnut distressed finish.

The sides and back are made with Trembesi and are dark brown in color. They have a similar aesthetic feel and a distinct grain and strong texture. This mix of vintage finish and distressed hardware successfully conceals the sophisticated construction on the inside. The guitar has a mahogany V-shaped neck that brings alive the antique feel. The Washburn R320 SWRK has an ebony fingerboard and ebony bridge.

The fingerboard had 18 frets and beautiful Tree of Life inlays. There are other classic vintage aesthetic additions like abalone rosette, open gear and distressed tuners, vintage style binding for the guitar top and a white binding on the fingerboard.

All of these very old fashioned adornments make the Washburn R320 SWRK look like a well-used and mature 100-year old antique parlor guitar. The nut and saddle are made of bone. The nut width is 48mm. The length of the scale is 24.75 inches. This makes the neck feel like a standard sized guitars’.

The strings are D’Addario EXP-16. The Washburn R320 SWRK comes with a protective GC141 hardshell case. The product dimensions are 41.5” x 20” x 7”. It weighs 5 pounds. Orientation is right handed.

All in all, the Washburn R320 SWRK is a wonderful vintage-style parlor guitar that has superior sound quality and playability. It has all the good looks of an old folksy guitar but none of the drawbacks. It has the power to immediately take one back to the good old days of warm foot-tapping rustic folk music. 

Pros

  • Stunning vintage-style parlor guitar.
  • Beautiful ebony finish and distressed hardware.
  • Great action and intonation.
  • Affordable
  • Includes a hardshell case.

Cons

  • Tuners need to be improved.
  • The V-shaped neck may not support fingerstyle throughout the length of the neck.
  • Soft jazz and fold players may also find the neck limiting.

#6. Taylor 114ce 100 Acoustic Guitar

Taylor Guitars was started by the famous Bob Taylor in 1974 in California. His philosophy was simple: he wanted to make guitars that were affordable yet did not compromise on quality.

The Taylor 114ce 100 belongs to the 100 Series by Taylor Guitars. The 100 Series boast real tonewood guitars with superior playing feel and touch. They have layered walnut back and sides. The volume and projection are exceptional.

The 100 Series guitars are recommended for beginners as well as professional players who are serious about their music and wish to take it a notch higher. The 100 Collection is reasonably priced, making it more accessible to the general masses.

The Taylor 114ce 100 is a 6-string Grand Auditorium acoustic-electric cutaway guitar. It is the most popular model in the 100 Series and is made in Mexico. It is a versatile instrument and is capable of great acoustic and electronic guitar sounds.

The top is made of Sitka spruce and the back and sides of Sapele Laminate. Sitka spruce, as we all know, is the most widely used topwood because of its ability to combine stiffness with elasticity in the perfect ratio to get a broad range of sounds that are highly articulate, crisp and dynamic. Sitka spruce is also good at effectively distributing the vibrations from the top which plays a pivotal role in sound texture.

The back and sides of the Taylor 114ce 100 are layered walnut. Layered walnut acts as a strong and receptive platform that absorbs the vibrating string energy produced by the guitar top. Plus, layered wood is known for its durability as it can withstand fluctuations in temperature and the harmful effects of moisture.

Hence, the Taylor 114ce 100 is ideal for travelling artists who have to frequently carry their instruments around. The Taylor 114ce 100 is fitted with the advanced Taylor Expression System 2 (ES2). It is a state-of-the-art pickup design built with the aim of revolutionizing acoustic guitar amplification.

The key element driving the ES2 is Taylor’s behind-the-saddle pickup. These are three patented pickup sensors that have been individually calibrated and strategically placed to produce never-before-like amplification.

The unique location of the sensors benefits plugged-in playing as they are able to capture a more dynamic range of acoustic sounds. Combined with Taylor’s professional audio-grade preamp, the guitar delivers stunning responsiveness and amplification of tone.

The ES2 system is designed for professional concert playing and jamming. It runs on a 9-volt battery. It has convenient volume, bass and treble control knobs. ​The bottom of the saddle remains in continuous contact with the bridge because the pickup does not sit under the saddle.

This allows all the nuances of the guitar’s tone to be fully expressed both when it is played acoustically and plugged-in. The Taylor 114ce 100 comes with Taylor Standard II bracing with forward shift pattern. It has a Sapele bolt-on neck and the fretboard is made of genuine African ebony.

The fretboard has 20 frets, a 1.68 inches Tusq bone nut and pearloid dot inlays. It has a Tusq bone saddle and an ebony bridge. The guitar has a scale of 25.5 inches, which is a full scale length, meaning it has high tension. A shorter scale length does not have much tension.

This feature however may not favor beginners and players with hand issues, and a shorter scale length should suit them better. The Taylor 114ce 100 has an ebony headstock with chrome button chrome tuners. It also has Elixir Phosphor Bronze Light Gauge Strings.

The guitar has a matte 2.0 varnish finish. The Taylor 114ce 100 responds with good volume to light fingerpicking, strumming and flatpicking. So it is an all-rounder guitar and supports all playing styles.

The product comes with Deluxe Taylor gig bag. It is a tough nylon 600-denier gig bag that fits the guitar perfectly. It has reinforced stress points and durable dual-stitch seams. The dimensions of Taylor 114ce 100 are 21” x 43” x 9”. It weighs 12 pounds. Orientation is right handed.

Overall, the guitar is capable of producing harmonic and crisp tones with high gain sustain that blend beautifully with the solid bass cover to give genuine acoustic and electric guitar sounds.

Pros

  • Equipped with custom-made Taylor Expression System 2.
  • Stunning amplification, gorgeous tone.
  • Favors fingerstyle.
  • Affordable acoustic cum electric guitar.
  • Great looking.
  • Includes cool gig bag.

Cons

  • May not be suitable for beginners as it has a high tension scale length.
  • Body is not 100% solid wood which may affect tonality.

#7. Martin DRS2 Guitar

The Martin DRS2 belongs to the Road Series by Martin Guitars. The Road Series boasts some very high performance and versatile acoustic-electric guitars that deliver brilliantly on tone, playability and feel, and are perfect for travelling musicians.

The Martin DRS2 is a classic dreadnaught acoustic-electric guitar with a solid Sitka spruce top and solid sapele back and sides with beautiful satin finish. The combination of spruce and sapele offers great tone, projection and balance.

Sitka spruce is a very expressive tonewood capable of producing warm mellow tones. Sapele compliments the topwood by adding the right proportion of bass and crispness to the sound. Plus, being a dreadnaught, its sound has more punch and a wide dynamic range.

The Martin DRS2 has a black pickguard and A-frame X-1 bracing. The Martin DRS2 has a Scale Modified Low Oval select hardwood neck. This is the highlight of the guitar as it ensures superior playability. The neck has a unique 20 fret black Richlite fingerboard. Richlite is not 100% solid wood but a composite material used in many Martin and Gibson guitars.

The fingerboard has white dot inlays that add to the aesthetics of the guitar. The neck is also made of multi-laminated Stratabond for greater strength and stability. The multiple lengthwise wood laminates are dyed a rusty shade and have a fast and smooth satin surface.

The bridge system is also made of black Richlite with black dotted pins. The guitar has a stylish Indian rosewood stockhead with the Martin logo on top and chrome enclosed tuning machines. There is a compensated white Tusq saddle and a 1.68 inches wide White Corian nut. The nut has low action which makes for easy playability.

The scale length is 25.4 inches. ​The Martin DRS2 is fitted with Fishman Sonitone electronics for plugged-in playing. It is easily accessible and sits just below the sound hole. It has two knobs for volume and tone. It is a compact and convenient electronic control system that allows you to make quick changes in your tone while on stage. It is great for fingerstyle and strumming.

The guitar comes with a smart and protective hardshell case. The Martin DRS2 weighs 22.1 pounds. Its dimensions are 9.2” x 47.2” x 20.5”. Orientation is right handed.

Overall the Martin DRS2 performs gorgeously and blends tone, treble and bass perfectly. The sitka spruce top projects a rich and crisp tone with active response and great balance. The sapele back and sides compliment the top with an enhanced midrange and sustain.

The easy-to-use in-built electronic system makes this guitar perfect for playing in gigs. It suits beginners just learning the ropes of the trade and also intermediate players who want to advance musically. Its low string action is ideal for light playing. Finally, the reasonable price tag makes the Martin DRS2 a top choice among acoustic-electric guitars currently available in the market.

Pros

  • Great sound with superior tonality and resonance.
  • Solid all-wood construction.
  • Low oval neck affords easy playability.
  • Easy-to-use Fishman Sonitone control panel.
  • Concealed electronic panel.
  • Satin neck finish makes for fast and easy playing.

Cons

  • Neck is slightly heavy because Stratabond is a heavy material.
  • Plain, banal looks.
  • Low action strings may not support aggressive strumming.
  • Some customers have complained that the guitar requires frequent tuning.

#8. Yamaha LL16RDHC Acoustic Guitar

​Yamaha is famous the world over for crafting timeless musical instruments. The L Series by Yamaha combines premium material and great construction technique to create high performance guitars.

The Yamaha LL16RDHC has a solid Engelmann spruce top and solid rosewood back and sides. The top wood has been treated with Acoustic Resonance Enhancement (ARE), a signature wood reforming technology of Yamaha. Under this technology, the humidity, temperature, atmospheric pressure and the wood’s molecular properties are carefully calibrated to create or imitate the characteristics of well-used guitar that has been played for years.

So even if the guitar is brand new, it will feel and sound like a well-aged guitar that has been used for years. The spruce top of the Yamaha LL16RDHC is ideal for a mature well-rounded sound and the rosewood back and sides provide greater balance to the tone from low to high and excellent bass support and projection.

Also, since the top wood is solid 100% wood, the harmonics and tonal balance become better as the instrument ages. It has a 5-ply mahogany rosewood (3 stripes of mahogany and 2 stripes of rosewood) neck that is ultra stable and has a very comfortable traditional profile.

This improved neck profile affords a stable grip and better playability for traditional players. The idea is to use the tightly integrated plies to prevent warping and twisting that happens with age to necks made with single pieces of wood. Plus the neck taper, string spacing and string height have been re-evaluated, and fingerboard binding applied for better grip and easier playability throughout the length of the neck. This redesigned neck suits players who prefer low string heights.

There is a volute at the headstock and a dual-action adjustable rod gives the neck more stability and power. The ebony fretboards are sleek and smooth and have snowflake pearl inlays. The neck has a slim and slender shaper and the fingerboard has an enhanced edge.

This makes for easy playing and a great feel. The nut is 44mm wide and the scale length is 25 9/16inches. The headstock has 6 die-cast gold tuners. A stylish Yamaha logo can be seen adorning the headstock. The guitar has 20 frets. The Yamaha LL16RDHC has a compensated saddle.

It reposes on top of the ebony bridge which has black bridge pins. The body top and headstock have Abalone inlays. The same is also used as a rosette circling the sound hole. A tortoise pattern pickguard protects the top of the guitar body.

The Yamaha LL16RDHC has a jumbo body and features Venetian cutaways that give easier access to the upper frets. It is lightweight and does not have neck dive. The Yamaha LL16RDHC features a new SRT Zero Impact Pickup System. It is a full-range passive pickup system that reduces the impact of the pickup on the tone and the traditional looks of the guitar.

The SRT Zero Impact Pickup uses the individual piezoelectric elements of each string to precisely recreate the dynamic sound of the L Series. However, since the guitar has a passive pickup, an external preamp will be needed if you want to play it in plugged-in mode.

There is an output jack on the lower bout that also functions as the strap button, the only one the guitar has. The Yamaha LL16RDHC has a new and improved non-scalloped bracing system that boosts the low-end tone while simultaneously retaining the signature bright tone of the L Series.

The Yamaha LL16RDHC is available in two colors: Natural or Brown Sunburst. It has a natural glossy urethane finish. The guitar includes a protective hard case. The Yamaha LL16RDHC weighs 7.5 pounds. Its dimensions are: 43.5” x 22.3” x 6.4”. Orientation is right handed. 

Overall the Yamaha LL16RDHC is a sophisticated guitar that has a lot to offer in terms of tone, texture and sound maturity. It has an outstanding neck design and uses advanced technology to produce a more aged sound. It can be used in gigs as well as small performances and jam sessions.

Pros

  • Innovative and long-lasting neck design affords better playability.
  • Advanced ARE treated top wood.
  • Equipped with SRT Zero Impact Pickup System.
  • Sound is mature and well-rounded.
  • Excellent string articulation throughout the length of the neck.
  • Lightweight guitar with no neck dive.

Cons

  • Lacks on-board preamp.
  • Lacks in-built tuners.
  • String slippage has been reported in E string, both high and low.
  • May lack in the bass department.

#9. Taylor 214ce Guitar

The Taylor 214ce merges high-performance acoustic design and an exceptional pickup system. It belongs to the Taylor 200 Series which boast models with impeccable tone and playability.

The Taylor 214ce acoustic-electric guitar has a Sitka spruce topwood and layered rosewood back and sides. It has a Grand Auditorium shape that is similar to a dreadnaught in width and depth but has a narrow waist and elegant smooth contours. This produces good volume even with light fingering and responds very energetically to strumming and flatpicking.

The sound quality overall has a very well balanced and crisp ring to it. The top Sitka spruce beautifully distributes the energy of the string vibrations to every part to the guitar, making the sound more robust. Sitka spruce is one of the most popular tonewoods used for making guitar tops as it imparts a very aged and full sound.

Also Sitka spruce is a very versatile topwood as it responds brilliantly to almost all kinds of playing such as flatpicking, strumming and fingerstyle. The layered rosewood back and sides provide a strong supportive platform for the vibration arising from the topwood.

Also layered rosewood is not easily affected by temperature changes and humidity. That makes the Taylor 214ce ideal for outdoor performances. The Taylor 214ce is equipped with the state-of-the-art Taylor Expression System 2 (ES2). It is an advanced pickup system engineered to completely revamp the acoustic guitar amplification experience.

The most important element driving the ES2 is Taylor’s behind-the-saddle pickup. These are three patented pickup sensors that have been individually calibrated and strategically positioned to produce truly exceptional amplification. The convenient position of the sensors is advantageous for plugged-in playing as they are able to capture a more dynamic range of acoustic sounds.

When combined with Taylor’s professional audio grade preamp, the Taylor 214ce delivers stunning responsiveness and amplification of tone. The ES2 system is great for gigs and other professional performances. It runs on a 9-volt battery. It has convenient volume, bass and treble control knobs.

The Taylor 214ce has Venetian cutaways with soft and round edges and a steep slope. It comes with Taylor Standard II bracing with forward shift pattern. It has a Sapele Standard Taylor Profile neck and the fretboard is made of genuine African ebony. The fretboard has 20 frets, 1 11/16inches Tusq nut. It has a Micarta Wave saddle and genuine African ebony bridge.

The guitar has a white binding, a glossy 6.0 finish on the body and satin finish on the neck. It has small diamond pearloid inlays. The guitar has a scale of 25.5 inches which is a full scale length, meaning it is high-tension. A shorter scale length does not have much tension. This feature however may not favor beginners and players with hand issues and a shorter scale length should suit them better.

The Taylor 214ce has an Indian rosewood headstock with chrome button chrome tuners. It has Elixir NANOWEB Light Gauge (0.012-0.053) strings. The guitar dimensions are: 40.2” x 15.8” x 5.9”. It weighs 4.4 pounds and has right handed orientation. It also includes a hardshell case.

​All in all the Taylor 214ce is a good all-round acoustic cum electric guitar. It combines Taylor’s modern expertise in construction with time-tested combination of tonewoods. The 214ce has excellent tone, balance, treble and bass support. It is easy and comfortable to play and makes for a perfect concert as well as recreational playing guitar. 

Pros

  • Equipped with custom-made Taylor Expression System 2.
  • Supports all kinds of playing styles.
  • Stunning amplification, gorgeous tone.
  • Affordable acoustic cum electric guitar.
  • Comes with a guitar cover.

Cons

  • Not very pocket friendly.
  • Lacks truss rod.

#10. Epiphone EJ-200SCE Guitar

​The Epiphone EJ-200SCE is known as The King of Flattop Guitars. It has an elegant cutaway for easier fret access. It has a maple body and maple sides and a solid spruce top.

Spruce is one of the most popular tonewoods used for making guitar tops as it imparts a very aged and full sound. Also spruce is a very versatile topwood as it responds brilliantly to almost all kinds of playing styles. The Slim Taper select maple neck joins the body of the guitar at the 14th fret.

The guitar has a 25.5inch scale. It has a rosewood fingerboard with vintage style pearloid crown inlays. The nut width is 1.68inches. The guitar boasts the iconic Sloped Dovewing Epiphone headstock and 14:1 elegant die-cast gold Grover Sta-Tites tuners.

The guitar has a synthetic bone saddle, rosewood ‘moustache’ bridge and a tortoise style pickguard. There are gold screws on the bell style truss rod cover. The Epiphone DR-500MCE boasts the advanced eSonic2 preamp system and includes an intuitive built-in tuner. It is the result of a collaborative effort with Shadow Germany.

When the guitar is kept in tuner mode, the sound gets muted so players can do silent onstage tuning. Players can use the tuner button to noiselessly connect and disconnect the guitar cable. There will be no popping sound when plugging or unplugging the guitar.

There is also a phase switch to counter feedback. The preamp runs on 2 ultralight long-lasting 2032 lithium watch batteries. The preamp comes geared with a full range of controls to adjust your sound’s tune. There is a Master Volume, Stereo Blend, NanoFlex Tone, NanoMag Tone and battery-low signal.

Under the bone saddle is the low impendence NanoFlex pickup that picks up string vibrations and body and top vibrations to give you a genuine acoustic sound minus the coarseness of piezos. The NanoMag compliments the NanoFlex pickup. The NanoMag is mounted on the end of the fingerboard and consists of 3 Samarian Colbalt magnets and a sophisticated circuit to capture all high and low tones and the whole range of harmonics.

The Epiphone EJ-200SCE comes in 3 color variants: Black, Natural and Vintage Sunburst. The guitar dimensions are: 43.5” x 20.8” x 6.3”. It weighs 12 pounds. Orientation is right handed.

Overall the Epiphone EJ-200SCE is a good guitar to perform in all kinds of gatherings. It has great tone, treble and bass support. The electronic system is robust and capable of producing crisp and distinct sounds both on and off stage.

Pros

  • Great tone and bass, balanced treble and mids.
  • Equipped with eSonic2 preamp system.
  • Mahogany and Sitka spruce produce a warm mellow sound.
  • Phase key fights feedback.

Cons

  • Some customers have reported that the electronic controls were faulty.
  • Does not include guitar case.

So here we have covered a list of Top 10 Best Acoustic Guitar Under $1000 which you can purchase to fulfill your dream of playing an awesome guitar.

I know that you are very much professional when it comes to selecting best acoustic guitars and that’s why, we have tried our best to provide the detailed review of each guitar listed here.

We would never want to suggest you such a guitar which can’t even fulfill your needs. So you should must keep your eyes on this website so as to find great guitars here.​

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